Jenia's depression, her desire to find someone else and finding the answers to questions that will never be answered (not matter how hard she tries) would have, eventually, gotten the better of her. I believe Jenia's fate would have been the same either way, regardless of whether it had been when it happened in the movie, or at a later time that we may not have even seen. That dynamic is a very interesting one, if not necessarily a unique one. She is a person who's struggling to find answers where there are none to be had. She laments her current situation, she loathes the fact that she will never get to go home again, see her house, hold her own belongings, among many other things. Jenia has a much more emotional reaction to this. He's not necessarily positive, but he's acclimating very well to their change in lifestyle, he's just going in the direction the world points him in, as it were. Riley is more open-minded about the whole thing. I thought the film would explore the relationship dynamics between Jenia and Riley and, in a way they do, but it relates more to how each of them adjusts to their current situation. But I digress, I feel the story is more how both Jenia and Riley adjust to their new situation and their surroundings since, basically, Iceland (a country they know nothing about and is completely foreign to them) will now have to act as their home. This story was never told from the point of view of 'we have to figure what went wrong' and therefore not getting answers shouldn't be a drawback. That story wasn't meant to have fight scenes, so I can't complain about it. It'd be like if I complained about the lack of martial arts fight scenes in Romeo and Juliet. So if people disliked the film because there was no explanation, then they're just people with wrong opinions. Jenia and Riley's discussions are more just musings between two people that, literally, have nary a clue as to what the fuck actually happened. But they never mislead you into thinking that they would provide answers. While the characters themselves have existential thoughts about what this all means, why is it them, is there some sort of divine interference here, is it a test and all sorts of other issues. And I don't think the film ever deluded itself or anybody else for that matter. You shouldn't go in expecting any sort of answers. There's absolutely no explanations whatsoever given as to what exactly happened to the world and what led to everyone's disappearance. There's no deus ex machina that involves the earth gaining back its lost population or there's a big revelation that allows Jenai and Riley to, at the very least, go back to the United States. Let's just get this out of the way and there will be SPOILERS (I can put a warning prior to the review on Letterboxd, a little box you click, but not on Flixster), so just look away or something. And I don't mean that to say that there's no real purpose to the film or its narrative, I find the exact opposite to be true, but nothingness and existentialism are some of the biggest themes the film touches upon. It relates in that you could say that this film is, essentially, about nothing. How does this relate to a film about an American couple, vacationing in Iceland, that find out that they're the only two people left on earth. Jerry Seinfeld was always awful, so I didn't care about him one bit. I think it's a terrible show that makes waste of some really talented comedic actors. I've given it shot after shot after shot and I've never gotten the appeal. I hate Seinfeld with a passion and I still do.
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I don't like to make statements like that, though I'm probably guilty of them, because that implies that you've seen every comedy series ever made, and not just from your own country. I've heard from many people, and there's no real consensus on this, that they found Seinfeld, a show about nothing, to be the greatest television comedy series of all time.
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